After two albums of straight-ahead (for Gnod) angry political "rock" music, Chapel Perilous dips back further into Gnod's trippy past, while still maintaining the blasts of anger, just not as blatantly. After the astonishing Donovan's Daughters, the middle 3 tracks are all sinister, glacial black dub, reminding me of the trilogy in the middle of Infinity Machines. The last track bookends with some more speaker-frying, making this a journey into darkness and back again. Gnod's best for a while.
Favorite track: Donovan's Daughters.